What is OTT, why is it so popular, and most importantly, how do you create it?
Saturation is perhaps one of the most diverse and powerful tools in a music producer’s toolbox.
What are transients and why do we care so much about them? Also, what do they have to do with compression?
There are many situations in which you might want to consider topping off your compression chain with a limiter!
Any source with abrasive high-end can be not only annoying to listen to, but it can also border on painful in some cases.
In this post, we’ll explore one of the most common ways of adding that vibe that everyone’s after: tape saturation plug-ins!
In this post, we will look at the multi-band compressor and how it can be used on the master buss.
Let’s look at the world of analog console emulation plug-ins and see why exactly they’re so popular.
Multi-band compression is an incredibly popular type of processing that producers can utilize for a wide variety of tasks.
What exactly is top-down mixing and what makes it such a popular technique?
Why is air so important and why are audio engineers always talking about it? Let us explain!
Do different EQs sound different from one another? What makes one EQ better than another?
There are quite a few ways that you can do the processing you need without getting completely stopped by CPU bandwidth limits.
What happens when we experiment with routing compressors in different ways?
What’s the point of top-down mixing in the first place and how do you go about doing it? Let’s talk about it!
Getting your mixes sounding great can be difficult, but it doesn’t have to be!
What’s the best way to control cymbal bleed? We’ll be covering a few methods in this post, so let’s get into it!
There are various methods for reducing, and getting rid of unwanted noise. Which one you choose depends on a few different factors.
Let’s get into a bit more detail on why using a multi-band limiter on your master buss is a great strategy.
Well-mixed low-end can make the difference between a mix feeling great or lackluster.
Saturation is perhaps one of the most diverse and powerful tools in a music producer’s toolbox.
We’ve outlined some of the most important factors you’ll likely want to consider when dialing in a reverb of any kind!
Should you apply special effects to elements of your mix with an insert or a send?
Let’s talk about how to sidechain your kick drum to only the low-end of your bass, as opposed to the bass’ entire frequency spectrum.
Active EQ is quite a useful tool that will allow you to reign in frequencies that are only overwhelming sometimes!
Compression can make or break any vocal sound. Too much compression? Your vocal will sound unnatural.
Parallel saturation is the process of creating a saturated version of an audio source and running it alongside the dry, unsaturated version.
Vocals are almost always the focal point of any production, so it goes without saying that they need to sound great!
A delay plug-in can be a great way to come up with new and interesting rhythmic ideas!
Although most musical performances need some degree of dynamics, a varying dynamic range can be both a blessing and a curse.
This technique can be just what you need to add a bit of width to a more subtle element in your production.
Let’s dive into using an active equalizer’s sidechain to “duck” a song’s instrumental, and allowing the lead vocal to shine.
We give you suggestions for controlling a particularly harsh vocal by using dynamic EQ, and we’ll show you some A/B comparisons!
Splitting a bass guitar signal into two parts is a very common mixing technique in various genres of music, but why?
What is OTT, why is it so popular, and most importantly, how do you create it?
Any source with abrasive high-end can be not only annoying to listen to, but it can also border on painful in some cases.
Let’s look at the world of analog console emulation plug-ins and see why exactly they’re so popular.
There are quite a few ways that you can do the processing you need without getting completely stopped by CPU bandwidth limits.
Getting your mixes sounding great can be difficult, but it doesn’t have to be!
Should you apply special effects to elements of your mix with an insert or a send?
There are many situations in which you might want to consider topping off your compression chain with a limiter!
In this post, we will look at the multi-band compressor and how it can be used on the master buss.
Getting your mixes sounding great can be difficult, but it doesn’t have to be!
Let’s get into a bit more detail on why using a multi-band limiter on your master buss is a great strategy.
What is OTT, why is it so popular, and most importantly, how do you create it?
In this post, we will look at the multi-band compressor and how it can be used on the master buss.
Multi-band compression is an incredibly popular type of processing that producers can utilize for a wide variety of tasks.
Let’s get into a bit more detail on why using a multi-band limiter on your master buss is a great strategy.
Let’s talk about how to sidechain your kick drum to only the low-end of your bass, as opposed to the bass’ entire frequency spectrum.
Active EQ is quite a useful tool that will allow you to reign in frequencies that are only overwhelming sometimes!
Vocals are almost always the focal point of any production, so it goes without saying that they need to sound great!
Although most musical performances need some degree of dynamics, a varying dynamic range can be both a blessing and a curse.
Let’s dive into using an active equalizer’s sidechain to “duck” a song’s instrumental, and allowing the lead vocal to shine.
We give you suggestions for controlling a particularly harsh vocal by using dynamic EQ, and we’ll show you some A/B comparisons!
What is OTT, why is it so popular, and most importantly, how do you create it?
What are transients and why do we care so much about them? Also, what do they have to do with compression?
There are many situations in which you might want to consider topping off your compression chain with a limiter!
What exactly is top-down mixing and what makes it such a popular technique?
What happens when we experiment with routing compressors in different ways?
Well-mixed low-end can make the difference between a mix feeling great or lackluster.
Compression can make or break any vocal sound. Too much compression? Your vocal will sound unnatural.
This technique can be just what you need to add a bit of width to a more subtle element in your production.
Splitting a bass guitar signal into two parts is a very common mixing technique in various genres of music, but why?
We’ve outlined some of the most important factors you’ll likely want to consider when dialing in a reverb of any kind!
What’s the best way to control cymbal bleed? We’ll be covering a few methods in this post, so let’s get into it!
There are various methods for reducing, and getting rid of unwanted noise. Which one you choose depends on a few different factors.
Why is air so important and why are audio engineers always talking about it? Let us explain!
Do different EQs sound different from one another? What makes one EQ better than another?
What’s the point of top-down mixing in the first place and how do you go about doing it? Let’s talk about it!
This technique can be just what you need to add a bit of width to a more subtle element in your production.
Splitting a bass guitar signal into two parts is a very common mixing technique in various genres of music, but why?
Saturation is perhaps one of the most diverse and powerful tools in a music producer’s toolbox.
In this post, we’ll explore one of the most common ways of adding that vibe that everyone’s after: tape saturation plug-ins!
Saturation is perhaps one of the most diverse and powerful tools in a music producer’s toolbox.
Parallel saturation is the process of creating a saturated version of an audio source and running it alongside the dry, unsaturated version.
What is OTT, why is it so popular, and most importantly, how do you create it?
Saturation is perhaps one of the most diverse and powerful tools in a music producer’s toolbox.
Saturation is perhaps one of the most diverse and powerful tools in a music producer’s toolbox.
Parallel saturation is the process of creating a saturated version of an audio source and running it alongside the dry, unsaturated version.
A delay plug-in can be a great way to come up with new and interesting rhythmic ideas!
There are various methods for reducing, and getting rid of unwanted noise. Which one you choose depends on a few different factors.
Although most musical performances need some degree of dynamics, a varying dynamic range can be both a blessing and a curse.
Saturation is perhaps one of the most diverse and powerful tools in a music producer’s toolbox.
Well-mixed low-end can make the difference between a mix feeling great or lackluster.
Let’s talk about how to sidechain your kick drum to only the low-end of your bass, as opposed to the bass’ entire frequency spectrum.
Any source with abrasive high-end can be not only annoying to listen to, but it can also border on painful in some cases.
In this post, we’ll explore one of the most common ways of adding that vibe that everyone’s after: tape saturation plug-ins!
What’s the best way to control cymbal bleed? We’ll be covering a few methods in this post, so let’s get into it!
Saturation is perhaps one of the most diverse and powerful tools in a music producer’s toolbox.
We’ve outlined some of the most important factors you’ll likely want to consider when dialing in a reverb of any kind!
Let’s talk about how to sidechain your kick drum to only the low-end of your bass, as opposed to the bass’ entire frequency spectrum.
Parallel saturation is the process of creating a saturated version of an audio source and running it alongside the dry, unsaturated version.
A delay plug-in can be a great way to come up with new and interesting rhythmic ideas!
Any source with abrasive high-end can be not only annoying to listen to, but it can also border on painful in some cases.
Compression can make or break any vocal sound. Too much compression? Your vocal will sound unnatural.
Vocals are almost always the focal point of any production, so it goes without saying that they need to sound great!
This technique can be just what you need to add a bit of width to a more subtle element in your production.
Let’s dive into using an active equalizer’s sidechain to “duck” a song’s instrumental, and allowing the lead vocal to shine.
We give you suggestions for controlling a particularly harsh vocal by using dynamic EQ, and we’ll show you some A/B comparisons!
Splitting a bass guitar signal into two parts is a very common mixing technique in various genres of music, but why?
